Showing posts with label Sargent. Show all posts
Showing posts with label Sargent. Show all posts
Tuesday, 6 April 2010
Thursday, 2 July 2009
John Singer Sargent, Margaretta Drexel, Countess of Winchilsea and Nottingham
Margaretta Drexel, Countess of Winchilsea and Nottingham, a painting by John Singer Sargent., originally uploaded by ondiraiduveau.
John Singer Sargent [American Painter, 1856-1925]
Thursday, 11 June 2009
John Singer Sargent, A Dinner Table at Night, 1884
John Singer Sargent [American Painter, 1856-1925]
Thursday, 12 March 2009
John Singer Sargent, Elizabeth Winthrop Chanler, 1893
John Singer Sargent [American Painter, 1856-1925]
Wednesday, 11 March 2009
John Singer Sargent, Fête Familiale (The Birthday Party), 1887
Click image for 570 x 465 size.
John Singer Sargent [American Painter, 1856-1925]
Tuesday, 10 March 2009
Monday, 9 March 2009
John Singer Sargent, Madame Ramón Subercaseaux, 1880
Click image for 386 x 600 size.
John Singer Sargent [American Painter, 1856-1925]
Sunday, 8 March 2009
John Singer Sargent, Sybil Sasson, Countess of Rocksavage,1912
Click image for 493 x 1118 size.
John Singer Sargent [American Painter, 1856-1925]
Friday, 6 March 2009
John Singer Sargent, Sheepfold in the Tyrol, 1915
Click image for 577 x 450 size.
John Singer Sargent [American Painter, 1856-1925]
John Singer Sargent, Violet Sargent and Flora Priestley, 1889
Click image for 442 x 588 size.
John Singer Sargent [American Painter, 1856-1925]
Saturday, 28 February 2009
John Singer Sargent, Daughters of Edward Darley Bolt, 1882
John Singer Sargent [American Painter, 1856-1925].
Monday, 22 October 2007
Thursday, 13 September 2007
John Singer Sargent, Madame Paul Poirson, 1885
Click image for 526 x 1000 size.
John Singer Sargent [American Painter, 1856-1925]
Wednesday, 12 September 2007
John Singer Sargent, Madame Gautreau, 1884
Virginie Amélie Avegno Gautreau.
"Research undertaken in 1981 showed that it was not only the sharp-nosed profile, ash-white skin and coral ears of ''Madame X'' that had caused a scandal when Sargent first exhibited the painting at the Paris Salon in 1884. Daringly, and with the sitter's consent, he had depicted Gautreau with one jeweled shoulder strap loosened to reveal naked flesh. The implication was that the lady might be available to men other than her dull and wealthy husband. A sketch for the portrait, in Tate Britain in London, shows that Sargent originally planned to do away with the strap altogether; the Met's portrait, hastily revised after the notorious Salon show, has two straps. Both are in place. The subject's black velvet bodice is thrillingly low -- but secure."John Singer Sargent [American Painter, 1856-1925]
Click image for 530 x 1000 size.
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